{"id":15863,"date":"2022-04-04T15:28:16","date_gmt":"2022-04-04T13:28:16","guid":{"rendered":"https:\/\/demdlx704as001.ad.harman.com\/?p=15863"},"modified":"2023-06-20T13:21:08","modified_gmt":"2023-06-20T11:21:08","slug":"clarifi-panel-2","status":"publish","type":"post","link":"https:\/\/audioworx.transfunnel.co\/old\/?p=15863","title":{"rendered":"ClariFi Panel"},"content":{"rendered":"

Clari-Fi panel is located in SURROUND in Toolbox in Signal Flow Designer. It supports stereo input, having 2 inputs and 2 outputs. One of restriction is Block length and Sample Rate.
\nClariFi Stand Alone supports 512 block length<\/strong> and 48khz sample rate<\/strong>. In the future it will support also 256 block length.<\/p>\n

It can be launched in same way as other native panels inside\u00a0 SFD\u00a0 <\/span>by clicking the Clarifi object in tuning view.<\/p>\n

Spectral & Waveform tab view<\/strong><\/p>\n

\"\"<\/p>\n

Spatial & Operation tab view<\/strong><\/p>\n

\"\"<\/p>\n

Super User tab view<\/strong><\/p>\n

\"\"<\/p>\n

Tunable Parameters<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Parameter Number<\/td>\nParameter Name<\/td>\nDetails<\/td>\nRange<\/td>\nDefault value<\/td>\n<\/tr>\n
0<\/td>\nMono Sens<\/td>\nUsed to turn on or off the mono signal sensing capability (ClariFi parameter)<\/td>\n0.1-20<\/td>\n1<\/td>\n<\/tr>\n
1<\/td>\nSource bit Rate<\/td>\nOverall level of treatment being applied to the input.<\/td>\n0 – 1<\/td>\n1<\/td>\n<\/tr>\n
2<\/td>\nVocal Air<\/td>\nIsolates the lead instruments or vocals in signal and sharpens the frequency response, applied at bitrate 100%<\/td>\n0-4<\/td>\n0.8<\/td>\n<\/tr>\n
3<\/td>\nVocal Air0<\/td>\nValue of vocal air when bitrate is 0%<\/td>\n0-4<\/td>\n0<\/td>\n<\/tr>\n
4<\/td>\nVocal Air50<\/td>\nValue of vocal air when bitrate is at midpt %<\/td>\n0-4<\/td>\n0.4<\/td>\n<\/tr>\n
5<\/td>\nVocal Air_K<\/td>\nKnee point control to set the value of bitrate at which Mid is applied<\/td>\n0-0.999<\/td>\n0.5<\/td>\n<\/tr>\n
6<\/td>\nVocal Air Limit<\/td>\nControls the low frequency limit in Hz of the VocalAir parameter<\/td>\n100-4000<\/td>\n350Hz<\/td>\n<\/tr>\n
7<\/td>\nASW<\/td>\nDecorrelates or spreads the soundfield outward by adding crosstalk signals, preserving the center portion of the stage. This compensates for the overcorrelation of the stereo field typically applied by lossy codecs., applied at bitrate 100%<\/td>\n0-4<\/td>\n0.6<\/td>\n<\/tr>\n
8<\/td>\nASW0<\/td>\nValue of ASW when bitrate is 0%<\/td>\n0-4<\/td>\n0<\/td>\n<\/tr>\n
9<\/td>\nDirect Signal Gain<\/td>\nControls the level of direct raw signal being added to the CF treated signal<\/td>\n0-1<\/td>\n1<\/td>\n<\/tr>\n
10<\/td>\nOctave Full BW Ext Gain<\/td>\nAdds high frequency bandwidth extension to compressed signal to compensate for the brickwall filter roll off due to compression codecs<\/td>\n0-2<\/td>\n0.650<\/td>\n<\/tr>\n
11<\/td>\nOctave Full BW Ext Gain0<\/td>\nValue of BWE gain when bitrate is 0%<\/td>\n0-2<\/td>\n0<\/td>\n<\/tr>\n
12<\/td>\nOctave Full BW Ext Gain50<\/td>\nValue of BWE gain when bitrate is midpt%<\/td>\n0-2<\/td>\n0.325<\/td>\n<\/tr>\n
13<\/td>\nOctave Full BW Ext Gain_K<\/td>\nKnee point control to set the value of bitrate at which Mid is applied<\/td>\n0-0.999<\/td>\n0.5<\/td>\n<\/tr>\n
14<\/td>\nHard Pan Boost Gain<\/td>\nControls the amount of boost given to extreme hard-panned signals to\u00a0 compensate for spatial smearing and collapse toward the center; bitrate 100%<\/td>\n0-4<\/td>\n0.8<\/td>\n<\/tr>\n
15<\/td>\nHard Pan Boost Gain0<\/td>\nHard pan boost min, applied at bitrate 0%<\/td>\n0 – 4<\/td>\n0<\/td>\n<\/tr>\n
16<\/td>\nVerb Fill Gain<\/td>\nRestores the dropouts in reverberation by isolating reverb in lossy signal and adding natural reverb tail; operates at bitrate 100%<\/td>\n0-1<\/td>\n1<\/td>\n<\/tr>\n
17<\/td>\nVerb Fill Gain0<\/td>\nRestores the dropouts in reverberation by isolating reverb in lossy signal and adding natural reverb tail; operates at bitrate 0%<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
18<\/td>\nDrum Fill Gain<\/td>\nControls the gain of the enhancement which sharpens the attack and decay of transient signals such as percussion, and restores their original peaky quality. This control sets the overall effect of the TransBoost<\/strong> and BassOverallBoost<\/strong> controls<\/td>\n0-1<\/td>\n0.676<\/td>\n<\/tr>\n
19<\/td>\nDrum Fill Gain0<\/td>\nValue of drum fill gain when bitrate is 0%<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
20<\/td>\nDrum Fill Gain50<\/td>\nValue of drum fill gain when bitrate is midpt%<\/td>\n0-1<\/td>\n0.338<\/td>\n<\/tr>\n
21<\/td>\nDrum Fill Gain_K<\/td>\nKnee point control to set the value of bitrate at which Mid is applied<\/td>\n0-0.999<\/td>\n0.5<\/td>\n<\/tr>\n
22<\/td>\nMask Spread<\/td>\nRestores the missing spectral components by filling holes in the frequency domain<\/td>\n0-1<\/td>\n0.880<\/td>\n<\/tr>\n
23<\/td>\nMask Spread0<\/td>\nValue of mask spread when bitrate is 0%<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
24<\/td>\nMask Spread50<\/td>\nValue of mask spread when bitrate is midpt%<\/td>\n0-1<\/td>\n0.440<\/td>\n<\/tr>\n
25<\/td>\nMask Spread_K<\/td>\nKnee point control to set the value of bitrate at which Mid is applied<\/td>\n0-0.999<\/td>\n0.5<\/td>\n<\/tr>\n
26<\/td>\nScale Gain<\/td>\nControls the overall output level of CF, this is to allow CF output to be matched to the level in the bypassed state<\/td>\n0-1<\/td>\n0.6<\/td>\n<\/tr>\n
27<\/td>\nSD_Bypass<\/td>\nBypass the signal doctor (CF) processing algorithm<\/td>\n0&1, 0 \u2013SD is not bypass, 1- SD bypass<\/td>\n1<\/td>\n<\/tr>\n
28<\/td>\nSD_Mode<\/td>\nsets whether CF automatically attempts to identify how lossy or compressed the input file is (Auto-Detect<\/strong> mode) or whether it applies a fixed amount of treatment (Fixed<\/strong> mode).<\/td>\n\n

0, 1<\/p>\n

0= Fixed mode<\/p>\n

1= Autodetect mode<\/td>\n

1<\/td>\n<\/tr>\n
29<\/td>\nIntensity<\/td>\nfunctions identically to Bitrate<\/strong> except that it is not regulated internally when Mode<\/strong> is set to Auto-Detect<\/strong>.<\/td>\n0-1<\/td>\n1<\/td>\n<\/tr>\n
30<\/td>\nSoftness<\/td>\ncontrols the character or timbre of the high frequencies, allowing harshness to be moderated.<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
31<\/td>\nSoftness0<\/td>\nSoftness minimum value, at bitrate 0%<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
32<\/td>\nSoftness50<\/td>\nSoftness\u00a0 value when birate is midpt%<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
33<\/td>\nSoftness_K<\/td>\nKnee point control to set the value of bitrate at which Mid is applied<\/td>\n0-0.999<\/td>\n0.5<\/td>\n<\/tr>\n
34<\/td>\nTrans Boost<\/td>\nControls the amount of transient bass\u00a0 boost, usually governed by the value of Drumfill<\/td>\n0-6<\/td>\n1.50<\/td>\n<\/tr>\n
35<\/td>\nTrans Boost0<\/td>\nTransboost min value, at bitrate 0%<\/td>\n0-6<\/td>\n0<\/td>\n<\/tr>\n
36<\/td>\nBass Overall Boost<\/td>\nControls the amount of overall bass boost<\/td>\n0-2<\/td>\n1.20<\/td>\n<\/tr>\n
37<\/td>\nBass Overall Boost0<\/td>\nOverall bass boost for bitrate 0%<\/td>\n0-2<\/td>\n0<\/td>\n<\/tr>\n
38<\/td>\nSD Limiter<\/td>\nControls the soft clip peak limiter in CF<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
39<\/td>\nSource Type<\/td>\nDetermine the type of audio input signal source to adjust the CF internal parameters<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
40<\/td>\nGap Thresh<\/td>\nSets the threshold for detecting gaps in the audio signal to reset treatment to zero and use Auto-Detect to look for signs of compression<\/td>\n0.1-10<\/td>\n2.0<\/td>\n<\/tr>\n
41<\/td>\nSD SNR<\/td>\nSets the ratio of instantaneous detected noise to signal in the high frequency gap of a compressed audio stream such that the auto-detect algorithm will flag the stream as compressed.<\/td>\n0.01-1<\/td>\n0.15<\/td>\n<\/tr>\n
42<\/td>\nLevel Diff<\/td>\nSets the height of the brick wall needed to trigger the auto-detect algorithm. If the system is failing to detect compression (true negative), try lowering this value. If it is falsely tagging linear streams as compressed (false positive) try raising this value.<\/td>\n1-30<\/td>\n10<\/td>\n<\/tr>\n
43<\/td>\nVerb BWE<\/td>\nAmount higher frequencies added to the reverb during bandwidth extension<\/td>\n0-1<\/td>\n1<\/td>\n<\/tr>\n
44<\/td>\nVerb BWE0<\/td>\nAmount of verb BWE when bitrate is 0%<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
45<\/td>\nDirac<\/td>\nEnables bandwidth extension treatment, in the form of a Dirac pulse, to be applied to transients, at bitrate 100%<\/td>\n0-1.08<\/td>\n1.02<\/td>\n<\/tr>\n
46<\/td>\nDirac0<\/td>\nEnables bandwidth extension treatment, in the form of a Dirac pulse, to be applied to transients; at bitrate 0%<\/td>\n0-1.08<\/td>\n0<\/td>\n<\/tr>\n
47<\/td>\nForce Bin X<\/td>\nSets the operating frequency for normal bandwidth extension treatment when Manual_BinX<\/strong> is set. If Manual_BinX<\/strong> is not set, this parameter has no effect.<\/td>\n4000-19000Hz<\/td>\n10000Hz<\/td>\n<\/tr>\n
48<\/td>\nManual Bin X<\/td>\nOverrides the analyzed value of the high cutoff frequency and substitutes the frequency set by Force_BinX<\/strong> in its place. This affects only the VerbBWE<\/strong> and Dirac<\/strong> parameters.<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
49<\/td>\nSBRR_X<\/td>\nWhen codecs employing SBR such as HE-AAC are detected, there is no applicable cutoff frequency to determine corresponding treatment level. Therefore this parameter imposes an equivalent treatment based on the same cutoff frequency as its value.<\/td>\n8000-20000Hz<\/td>\n15000Hz<\/td>\n<\/tr>\n
50<\/td>\nSBR Smoothing<\/td>\nSets the amount of time-averaged smoothing on SBR detection.<\/td>\n0.9-0.9999<\/td>\n0.9970<\/td>\n<\/tr>\n
51<\/td>\nSBR Sens<\/td>\nSets the sensitivity of the auto-detection algorithm to the presence of SBR detected elements.<\/td>\n0.2-2<\/td>\n1<\/td>\n<\/tr>\n
52<\/td>\nBWE Limit<\/td>\nControls the frequency limit to apply bandwidth extension<\/td>\n8000-20000Hz<\/td>\n12000Hz<\/td>\n<\/tr>\n
53<\/td>\nSpeech Rx<\/td>\nSets the maximum<\/em> multiplier to the Bitrate<\/strong> value (regardless of whether Bitrate is being regulated by Auto-Detect<\/strong> mode) when speech is detected.<\/td>\n0-1<\/td>\n1<\/td>\n<\/tr>\n
54<\/td>\nSpeech Mode<\/td>\nSets whether speech is always assumed (fixed mode) or detected automatically (auto-detect).<\/td>\n0-1; 0=fixed, 1= Autodetect<\/td>\nAutodetect<\/td>\n<\/tr>\n
55<\/td>\nBW Sensitivity<\/td>\nControls the sensitivity of treatment level (Bitrate) versus detected high cutoff frequency of compressed streams when in Auto-Detect<\/strong> mode. Lower values correspond to higher resulting Bitrate values.<\/td>\n0-1<\/td>\n0.2303<\/td>\n<\/tr>\n
56<\/td>\nDecorr Mix<\/td>\nApplies decorrelation to the right input channel to a degree set by this parameter, if\/when mono probability exceeds the value set by the MonoThreshold parameter. If MonoThreshold is set to 0, then Widening will always be applied.<\/td>\n0-1<\/td>\n0.77<\/td>\n<\/tr>\n
57<\/td>\nDecorr Mix0<\/td>\nValue of decorr mix when bitrate is 0%<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n
58<\/td>\nMono Threshold<\/td>\nSets the threshold of probability that the input is mono above which Widening is applied.<\/td>\n0-1<\/td>\n0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Clari-Fi panel is located in SURROUND in Toolbox in Signal Flow Designer. It supports stereo input, having 2 inputs and 2 outputs. One of restriction is Block length and Sample Rate. ClariFi Stand Alone supports 512 block length and 48khz sample rate. In the future it will support also 256 block length. It can be […]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[]},"categories":[297],"tags":[],"coauthors":[137],"_links":{"self":[{"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=\/wp\/v2\/posts\/15863"}],"collection":[{"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15863"}],"version-history":[{"count":4,"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=\/wp\/v2\/posts\/15863\/revisions"}],"predecessor-version":[{"id":23095,"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=\/wp\/v2\/posts\/15863\/revisions\/23095"}],"wp:attachment":[{"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15863"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/audioworx.transfunnel.co\/old\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=15863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}